Λυπάμαι$3$ - definizione. Che cos'è Λυπάμαι$3$
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In questa pagina puoi ottenere un'analisi dettagliata di una parola o frase, prodotta utilizzando la migliore tecnologia di intelligenza artificiale fino ad oggi:

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  • frequenza di utilizzo
  • è usato più spesso nel discorso orale o scritto
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  • esempi di utilizzo (varie frasi con traduzione)
  • etimologia

Cosa (chi) è Λυπάμαι$3$ - definizione

Triad (chord); 3-1; 3-6; 3-9; 3-11; 3-2A; 3-2B; 3-3B; 3-3A; 3-4B; 3-4A; 3-5B; 3-5A; 3-11A; 3-11B; 3-7B; 3-7A; 3-8B; 3-8A; 3-12
  • The seven contiguous trichords in C major. See also: [[Cardinality equals variety]].

Matthew 3:3         
VERSE IN THE GOSPEL OF MATTHEW IN THE NEW TESTAMENT OF THE BIBLE
Mt. 3:3
Matthew 3:3 is the third verse of the third chapter of the Gospel of Matthew in the New Testament. The verse occurs in the section introducing John the Baptist.
Quercetin-3-sulfate 3'-sulfotransferase         
CLASS OF ENZYMES
EC 2.8.2.26; 3'-phosphoadenylyl-sulfate:quercetin-3-sulfate 3'-sulfotransferase
In enzymology, a quercetin-3-sulfate 3'-sulfotransferase () is an enzyme that catalyzes the chemical reaction
Fajr-3         
  • A Fajr-3 firing at an exercise in 2010.
  • Fajr-3 launch.
  • Map with Fajr-3 operators in blue
  • The Fajr-3 is a copy of the North Korean M-1985 (seen here.)
ROCKET ARTILLERY
Fajr-3 rocket; Fajir-3; Fajr-3 missile; Ra'ad 1; Fajr-3 (rocket); Fajr 3; Fajr-3 Artillery Rocket
The Fajr-3 (rarely Fadjr-3) () is an Iranian heavy 240 mm intermediate-rangeJohnson, David E., Hard Fighting: Israel in Lebanon and Gaza.

Wikipedia

Trichord

In music theory, a trichord () is a group of three different pitch classes found within a larger group. A trichord is a contiguous three-note set from a musical scale or a twelve-tone row.

In musical set theory there are twelve trichords given inversional equivalency, and, without inversional equivalency, nineteen trichords. These are numbered 1–12, with symmetrical trichords being unlettered and with uninverted and inverted nonsymmetrical trichords lettered A or B, respectively. They are often listed in prime form, but may exist in different voicings; different inversions at different transpositions. For example, the major chord, 3-11B (prime form: [0,4,7]), is an inversion of the minor chord, 3-11A (prime form: [0,3,7]). 3-5A and B are the Viennese trichord (prime forms: [0,1,6] and [0,5,6]).